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English I

Unit II: Prose

On the Rule of the Road

by A.G. Gardiner

Prescribed reading for English I (Unit II: Prose). Read the guide before class; finish with the quiz to check your understanding.

Overview

Gardiner uses the anecdote of a woman insisting on walking in the middle of the street as a symbol of 'liberty' to argue about the true nature of freedom. He explains that individual liberty is not absolute; it must be limited to ensure the liberty and safety of everyone else in society. This 'social contract' means accepting small restrictions (like following the rule of the road) in order to prevent chaos and make true freedom possible for all.

About the Author

Alfred George Gardiner (1865-1946) was an English journalist, editor, and author. Writing under the pen-name 'Alpha of the Plough', he was known for his thoughtful and elegant essays on a wide range of subjects, from the mundane to the profound.

Writing style: His style is characterized by its clarity, gentle humor, and ability to draw large philosophical conclusions from small, everyday observations. He wrote in a conversational and accessible manner.

Major works: Pebbles on the Shore · Windfalls · Leaves in the Wind

Influence: Gardiner was a master of the English essay form, and his work is celebrated for its wisdom, warmth, and timeless reflections on human nature and society.

Historical Context

Gardiner wrote during the early 20th century, a period of immense social and political change, including the aftermath of World War I and the rise of new ideas about individual freedoms and societal responsibilities.

Read

Tap the bolded words for definitions and connotations.

A STOUT old lady was walking with her basket down the middle of a street in Petrograd to the great of the traffic and with no small to herself. It was pointed out to her that the was the place of foot-passengers, but she replied: 'I'm going to walk where I like. We've got liberty now.' It did not occur to the dear old lady that if liberty the foot-passenger to walk down the middle of the road it also the cabdriver to drive on the and that the end of such liberty would be universal Everybody would be getting in everybody else's way and nobody would get anywhere. (Individual liberty would have become social anarchy.)

There is a danger of the world getting liberty drunk in these days like the old lady with the basket, and it is just as well to remind ourselves of what the rule of the road means. It means that in order that the liberties of all may be preserved the liberties of everybody must be When the policeman, say, at Piccadilly Circus steps into the middle of the road and puts out his hand, he is a not of but of liberty. You may not think so. You may, being in a hurry and seeing your motor-car pulled up by this insolence of office, feel that your liberty has been How dare this fellow 552211 interfere with your free use of the public highway? Then, if you are a reasonable person, you will reflect that if he did not, incidentally, interfere with you he would interfere with no one, and the result would be that Piccadilly Circus would be a that you would never cross at all. You have submitted to a curtailment of private liberty in order that you may enjoy a social order which makes your liberty a reality.

Liberty is not a personal affair only, but a social contract. It is an accommodation of interest. In matters which do not touch anybody else's liberty, of course, I may be as free as I like. If I choose to go down the Strand in a dressing-gown, with long hair and bare feet, who shall say me nay? You have liberty to laugh at me, but I have liberty to be to you. And if I again have a fancy for dyeing my hair, or waxing my moustache (which heaven forbid), or wearing a tall hat, a and sandals, or going to bed late or getting up early, I shall follow my fancy and ask no man's permission. I shall not inquire of you whether I may eat mustard with my mutton. I may like mustard with my mutton. And you will not ask me whether you may be a Protestant or a Catholic, whether you may marry the dark lady or the fair lady, whether you may prefer Ella Wheeler Wilcox to Wordsworth, or champagne to

In all these and a thousand other details you and I please ourselves and ask no one's leave. We have a whole kingdom in which we rule alone, can do what we choose, be wise or ridiculous, harsh or easy, conventional or odd. But directly we step out of that kingdom our personal liberty of action becomes qualified by other people's liberty. I might like to practise on the trombone from midnight till three in the morning. If I went on to the top of to do it I could please myself, but if I do it out in the streets the neighbours will remind me that my liberty to blow the trombone must not interfere with their liberty to sleep in quiet. There are a lot of people in the world, and I have to my liberty to their liberties.

We are all to forget this and, unfortunately, we are much more conscious of the of others in this respect than of our own.

I got into a railway carriage at a country station the other morning and settled down for what the schoolboys would call an hour's 'swot' at a I was not reading it for pleasure. The truth is that I never do read Blue-books for pleasure. I read them as a reads a for the very humble purpose of turning an honest penny out of them. Now, if you are reading a book for pleasure, it doesn't matter what is going on around you. I think I could enjoy Tristram Shandy or Treasure Island in the midst of an earthquake.

But when you are reading a thing as a task you need reasonable quiet, and that is what I didn't get, for at the next station in came a couple of men, one of whom talked to his friend for the rest of the journey in a loud and voice. He was one of those people who remind one of that story of Horn Tooke, who, meeting a person of immense in the street, stopped him and said, 'Excuse me, sir, but are you someone in particular?' This gentleman was someone in particular. As I with clauses and sections, his voice rose like a and his family history, the deeds of his sons in the war, and his criticisms of the generals and the politicians my poor attempts to hang on to my job. I shut up the looked out of the window, and listened wearily while the voice thundered on with themes like these: 'Now what French ought to have done...' 'The mistake the Germans made...' 'If only Asquith had...' You know the sort of stuff. I had heard it all before, oh, so often. It was like a groaning out some song of long ago.

If I had asked him to be good enough to talk in a lower tone I dare say he would have thought I was a very rude fellow. It did not occur to him that anybody could have anything better to do than to listen to him and I have no doubt he left the carriage convinced that everybody in it had, thanks to him, had a very journey, and would carry away a pleasing impression of his encyclopaedic range. He was obviously a well-intentioned person. The thing that was wrong with him was that he had not the social sense. He was not a man.

A reasonable consideration for the rights or feelings of others is the foundation of social conduct. It is commonly against women that in this respect they are less civilized than men, and I am bound to confess that in my experience it is the woman—the well-dressed woman—who thrusts herself in front of you at the ticket-office. The man would not attempt it, partly because he knows the thing would not be tolerated from him, but also because he has been better drilled in the small of social relationships. He has lived more in the broad current of the world, where you have to learn to yourself to the general standard of conduct, and his school-life, his club life, and his games have in this respect given him a training that women are only now beginning to enjoy.

I suppose the fact is that we can be neither complete anarchists nor complete socialists in this complex world—rather we must be a judicious mixture of both. We have both liberties to preserve: our individual liberty and our social liberty. We must watch the on the one side and warn off the on the other. I am neither a nor a but a compromise. I shall not permit any authority to say that my child must go to this school or that, shall specialize in science or arts, shall play or soccer. These things are personal. But if I proceed to say that my child shall have no education at all, that he shall be brought up as a savage, or at Mr. Fagin's academy for pick-pockets, then society will politely but firmly tell me that it has no use for savages and a very stern objection to pick-pockets, and that my child must have a certain minimum of education whether I like it or not. I cannot have the liberty to be a nuisance to my neighbours or make my child a burden and a danger to the

It is in small matters of conduct, in the observance of the rule of the road, that we pass judgment upon ourselves, and declare that we are civilized or uncivilized. The great moments of heroism and sacrifice are rare. It is the little habits of commonplace that make up the great sum of life and sweeten or make bitter the journey. I hope my friend in the railway carriage will reflect on this. Then he will not cease, I am sure, to explain to his neighbour where French went wrong and where the Germans went but he will do it in a way that will permit me to read my undisturbed.

Themes

  • Liberty vs. Anarchy
  • Individual Rights and Social Responsibility
  • The Social Contract
  • Civilized Behavior

Literary Devices

Anecdote
The entire essay is built around the opening story of the old lady in Petrograd.
Analogy
He compares the policeman restricting traffic to a symbol of liberty, not tyranny, because this action creates the social order needed for freedom to exist.

Critical Analysis

The essay is a brilliant and concise argument for a mature understanding of liberty. Gardiner masterfully distinguishes between personal freedom in private matters and the necessary compromises required for public life. His central point is that consideration for others is the bedrock of a functioning, civilized society.

Why It Matters

Gardiner's essay is profoundly relevant today in debates about personal freedoms versus public health mandates, free speech versus hate speech, and individual rights versus the common good. It provides a clear and enduring framework for thinking about how to live together in a free society.

Vocabulary

Illustrious
Famous and admired.
Editor
The person in charge of a newspaper or magazine who decides what will be published.
Essayist
A person who writes essays.
Stylistic
Pertaining to a particular style, especially in art, literature, or fashion.
Confusion
A state of not knowing what to do or what is happening.
Peril
Serious and immediate danger.
Pavement
A raised path, usually at the side of a road, for people to walk on.
Entitled
To have a right to do something.
Chaos
A state of complete disorder and confusion.
Anarchy
A state of disorder due to absence of or nonrecognition of authority.
Liberty-drunk
Behaving recklessly because of a new sense of freedom.
Curtailed
To reduce or limit something.
Piccadilly Circus
A famous road junction and public space in London.
Symbol
Something that represents something else.
Tyranny
Cruel and oppressive government or rule.
Outraged
To feel very angry and shocked.
Maelstrom
A situation of confused movement or violent turmoil.
Accommodation of interests
The act of adapting to or reaching a compromise between different desires or needs.
Indifferent
Not caring about or having any interest in someone or something.
Frock-coat
A man's long coat, worn for formal occasions in the past.
Shandy-gaff
A drink made by mixing beer with a carbonated soft drink.
Helvellyn
A mountain in the Lake District, England.
Liable
Likely to do or be something.
Imperfections
Faults or flaws.
Railway carriage
A separate section of a train where people sit.
Swot
A slang term for studying hard (often a specific topic).
Blue-book
A type of official report published by the British government.
Barrister
A lawyer in some legal systems who is qualified to argue cases in higher courts.
Brief
A document containing the facts and legal arguments for a case.
Tristram Shandy
A famous 18th-century novel by Laurence Sterne.
Treasure Island
A famous adventure novel by Robert Louis Stevenson.
Pompous
Feeling or showing that you are more important than other people.
Horn Tooke
A British politician and philologist (1736–1812).
Swagger
A way of walking or behaving that shows you are confident and think you are important.
Wrestled
To struggle to deal with a problem or difficulty.
Gale
A very strong wind.
Submerged
To completely cover or hide something.
Thundered on
To speak loudly and forcefully for a long time.
Banal
Lacking originality; boring.
Barrel-organ
A musical instrument played by turning a handle.
Illuminating
Making something clearer or easier to understand.
Encyclopaedic range
Having a wide knowledge of many different subjects.
Clubbable
Sociable and good-natured.
Alleged
Said or thought by some people to be the case, but not yet proven.
Give-and-take
The practice of making compromises and concessions.
Accommodate
To adjust to something, or to find a compromise.
Bureaucrat
An official in a government department, who may be seen as being too concerned with official rules.
Anarchist
A person who believes that government and laws are not necessary.
Marxist
Someone who follows the political and economic theories of Karl Marx.
Tolstoyan
Someone who follows the beliefs and teachings of Leo Tolstoy, especially regarding non-violence.
Rugger
A slang or informal term for the game of rugby.
Primeval
Relating to the first age of the world or something that existed long ago.
Mr. Fagin
A fictional character from the novel Oliver Twist who teaches boys to be pickpockets.
Commonwealth
An independent country or community.
Intercourse
Communication or social interaction between people.
Ditto
A word used to avoid repeating something that has been said.

Frequently Asked Questions

Check Your Understanding

Quiz: Check Your Understanding
Question 1 of 6

According to Gardiner, what is the 'foundation of social conduct'?

More from Unit II: Prose

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