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CEFR English

Unit II: Prose

On the Rule of the Road

by A.G. Gardiner

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A STOUT old lady was walking with her basket down the middle of a street in Petrograd to the great of the traffic and with no small to herself. It was pointed out to her that the was the place of foot-passengers, but she replied: 'I'm going to walk where I like. We've got liberty now.' It did not occur to the dear old lady that if liberty the foot-passenger to walk down the middle of the road it also the cabdriver to drive on the and that the end of such liberty would be universal Everybody would be getting in everybody else's way and nobody would get anywhere. (Individual liberty would have become social anarchy.)

There is a danger of the world getting liberty drunk in these days like the old lady with the basket, and it is just as well to remind ourselves of what the rule of the road means. It means that in order that the liberties of all may be preserved the liberties of everybody must be When the policeman, say, at Piccadilly Circus steps into the middle of the road and puts out his hand, he is a not of but of liberty. You may not think so. You may, being in a hurry and seeing your motor-car pulled up by this insolence of office, feel that your liberty has been How dare this fellow 552211 interfere with your free use of the public highway? Then, if you are a reasonable person, you will reflect that if he did not, incidentally, interfere with you he would interfere with no one, and the result would be that Piccadilly Circus would be a that you would never cross at all. You have submitted to a curtailment of private liberty in order that you may enjoy a social order which makes your liberty a reality.

Liberty is not a personal affair only, but a social contract. It is an accommodation of interest. In matters which do not touch anybody else's liberty, of course, I may be as free as I like. If I choose to go down the Strand in a dressing-gown, with long hair and bare feet, who shall say me nay? You have liberty to laugh at me, but I have liberty to be to you. And if I again have a fancy for dyeing my hair, or waxing my moustache (which heaven forbid), or wearing a tall hat, a and sandals, or going to bed late or getting up early, I shall follow my fancy and ask no man's permission. I shall not inquire of you whether I may eat mustard with my mutton. I may like mustard with my mutton. And you will not ask me whether you may be a Protestant or a Catholic, whether you may marry the dark lady or the fair lady, whether you may prefer Ella Wheeler Wilcox to Wordsworth, or champagne to

In all these and a thousand other details you and I please ourselves and ask no one's leave. We have a whole kingdom in which we rule alone, can do what we choose, be wise or ridiculous, harsh or easy, conventional or odd. But directly we step out of that kingdom our personal liberty of action becomes qualified by other people's liberty. I might like to practise on the trombone from midnight till three in the morning. If I went on to the top of to do it I could please myself, but if I do it out in the streets the neighbours will remind me that my liberty to blow the trombone must not interfere with their liberty to sleep in quiet. There are a lot of people in the world, and I have to my liberty to their liberties.

We are all to forget this and, unfortunately, we are much more conscious of the of others in this respect than of our own.

I got into a railway carriage at a country station the other morning and settled down for what the schoolboys would call an hour's 'swot' at a I was not reading it for pleasure. The truth is that I never do read Blue-books for pleasure. I read them as a reads a for the very humble purpose of turning an honest penny out of them. Now, if you are reading a book for pleasure, it doesn't matter what is going on around you. I think I could enjoy Tristram Shandy or Treasure Island in the midst of an earthquake.

But when you are reading a thing as a task you need reasonable quiet, and that is what I didn't get, for at the next station in came a couple of men, one of whom talked to his friend for the rest of the journey in a loud and voice. He was one of those people who remind one of that story of Horn Tooke, who, meeting a person of immense in the street, stopped him and said, 'Excuse me, sir, but are you someone in particular?' This gentleman was someone in particular. As I with clauses and sections, his voice rose like a and his family history, the deeds of his sons in the war, and his criticisms of the generals and the politicians my poor attempts to hang on to my job. I shut up the looked out of the window, and listened wearily while the voice thundered on with themes like these: 'Now what French ought to have done...' 'The mistake the Germans made...' 'If only Asquith had...' You know the sort of stuff. I had heard it all before, oh, so often. It was like a groaning out some song of long ago.

If I had asked him to be good enough to talk in a lower tone I dare say he would have thought I was a very rude fellow. It did not occur to him that anybody could have anything better to do than to listen to him and I have no doubt he left the carriage convinced that everybody in it had, thanks to him, had a very journey, and would carry away a pleasing impression of his encyclopaedic range. He was obviously a well-intentioned person. The thing that was wrong with him was that he had not the social sense. He was not a man.

A reasonable consideration for the rights or feelings of others is the foundation of social conduct. It is commonly against women that in this respect they are less civilized than men, and I am bound to confess that in my experience it is the woman—the well-dressed woman—who thrusts herself in front of you at the ticket-office. The man would not attempt it, partly because he knows the thing would not be tolerated from him, but also because he has been better drilled in the small of social relationships. He has lived more in the broad current of the world, where you have to learn to yourself to the general standard of conduct, and his school-life, his club life, and his games have in this respect given him a training that women are only now beginning to enjoy.

I suppose the fact is that we can be neither complete anarchists nor complete socialists in this complex world—rather we must be a judicious mixture of both. We have both liberties to preserve: our individual liberty and our social liberty. We must watch the on the one side and warn off the on the other. I am neither a nor a but a compromise. I shall not permit any authority to say that my child must go to this school or that, shall specialize in science or arts, shall play or soccer. These things are personal. But if I proceed to say that my child shall have no education at all, that he shall be brought up as a savage, or at Mr. Fagin's academy for pick-pockets, then society will politely but firmly tell me that it has no use for savages and a very stern objection to pick-pockets, and that my child must have a certain minimum of education whether I like it or not. I cannot have the liberty to be a nuisance to my neighbours or make my child a burden and a danger to the

It is in small matters of conduct, in the observance of the rule of the road, that we pass judgment upon ourselves, and declare that we are civilized or uncivilized. The great moments of heroism and sacrifice are rare. It is the little habits of commonplace that make up the great sum of life and sweeten or make bitter the journey. I hope my friend in the railway carriage will reflect on this. Then he will not cease, I am sure, to explain to his neighbour where French went wrong and where the Germans went but he will do it in a way that will permit me to read my undisturbed.

Content Analysis

Summary

Gardiner uses the anecdote of a woman insisting on walking in the middle of the street as a symbol of 'liberty' to argue about the true nature of freedom. He explains that individual liberty is not absolute; it must be limited to ensure the liberty and safety of everyone else in society. This 'social contract' means accepting small restrictions (like following the rule of the road) in order to prevent chaos and make true freedom possible for all.

Themes
  • Liberty vs. Anarchy
  • Individual Rights and Social Responsibility
  • The Social Contract
  • Civilized Behavior
Literary Devices

Anecdote: "The entire essay is built around the opening story of the old lady in Petrograd."

Analogy: "He compares the policeman restricting traffic to a symbol of liberty, not tyranny, because this action creates the social order needed for freedom to exist."

About the Author

Alfred George Gardiner (1865-1946) was an English journalist, editor, and author. Writing under the pen-name 'Alpha of the Plough', he was known for his thoughtful and elegant essays on a wide range of subjects, from the mundane to the profound.

Writing Style: His style is characterized by its clarity, gentle humor, and ability to draw large philosophical conclusions from small, everyday observations. He wrote in a conversational and accessible manner.

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According to Gardiner, what is the 'foundation of social conduct'?